At the beginning of every year, instead of compiling some backward-looking “Top Ten” list, I put together a list of upcoming films that I believe will be useful in sparking conversations about spiritual, moral, and ethical issues. So far, most of the films identified have met expectations. Okay, not enough people saw the X-Files sequel to merit much conversation, Inkheart has been moved to January (rarely a good sign), the latest Star Trek film has been moved to a summer date – a sign that the studio thinks it will be a big hit, but it will be competing with the next installment of Harry Potter, which was moved from its original November release date.

The other films on the early roster: Penelope, Horton Hears a Who, Iron Man, Prince Caspian, Indiana Jones and the Kingdom of the Crystal Skull, The Incredible Hulk, WALL-E, Hancock, and particularly The Dark Knight, all contained a tremendous amount of discussion material. (So many people use film as an entry point for outreach, that MovieMinistry created www.myfilmtalk.com to help them – you can try it free for 30 days). Since that initial list, many new films deserving of notice have entered the calendar. So here is MovieMinistry’s fall addendum – eight additional upcoming movies that appear to have a lot of thought-provoking content. As always, these recommendations are based on trailers and insider buzz, but our track record is pretty good so far. Here are the films to look for:

The Family That Preys (PG-13) – September 12

Tyler Perry continues to surprise. His films tend to lead the weekend box office every time they open. He is one of the most bankable directors in Hollywood. While his films target the African-American community, Perry has tremendous crossover appeal. That is because Perry tends to make movies about things that matter to everyone. The Family That Preys appears to continue that tradition.

The story revolves around Charlotte Cartwright and Alice Pratt, two longtime friends, whose families are threatened by the actions of their children. Expect this drama to open opportunities to discuss the ravaging power of ambition, greed, and lust, but also the healing and redemption that comes with forgiveness, a connection with family, and reliance on Christ. Perry’s films tend to be the most explicitly faith-informed films in mainstream release. Get tickets early. This will be a hot show opening weekend.

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Igor (PG) – September 19

A new studio, Exodus Productions, is entering Pixar territory with its first animated feature. They have managed to round up stellar vocal talent: John Cusack, John Cleese, Steve Buscemi and Jay Leno. That, coupled with the fact that it will be just about the only kid-friendly movie in theaters that weekend bodes well for its release.

The story turns the Mad Scientist/Igor relationship on its head, arguing that anyone with talent and drive deserves a chance to show what they can do. In the land of Malaria, one Igor decides that he has what it takes to win the annual science fair, and despite ridicule, and with the help of some friends, he intends to give it a shot. This film opens the door for discussions about prejudice against other people because of their social class, treating others as you would like to be treated, and there might even be a chance to discuss who really is the author of life.

Fireproof (PG) – September 26

Fireproof is the latest film from the people who brought you Facing the Giants and Flywheel. Following a proven formula, this Christian production company stays away from end-times scenarios and demonic possession and dares to make movies that allow Christians to just be regular people, struggling with common problems, who turn to God in times of need. Imagine that!

Unlike the other films on this list, I actually had an opportunity to see Fireproof about a month ago. It is a giant step above Facing the Giants in production values. The acting is improved as well. In my screening there were a lot of teary eyes.

Caleb Holt, a firefighter who saves others from the flames, cannot seem to keep his marriage from turning to ashes. But when his father talks him into following through with a program to “fireproof” his marriage, Caleb reluctantly agrees. In an intriguing and realistic twist, things do not miraculously get better. Marriage takes work, and something more.

Kudos go to Sherwood Pictures for sticking to their guns and progressively making better movies, and also to Samuel Goldwyn Films for distributing (given Facing the Giants’ financial success, not terribly risky, but appreciated all the same). Expect a bigger rollout for this film, and possibilities for after-film talks about what it means to be married, and what kind of hedges people need to build to make marriages last in a hostile world.

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